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“Singular & Serial: 

Contemporary Monotype and Monoprint”

by Catherine Kernan & E. Ashley Rooney
with Laura G. Einstein & Janice Oresman

Schiffer Publishing, 2019

Mobirise

Adagio Mountain Birds, Valentina DuBasky, Monotype with oil-based inks, 53.75 x 41.25 inches, 2013
Printed and published at Tandem Press

“Recent prints from more than 70 top artists across the US demonstrate what monotypes and monoprints offer to artists and the broader world of art. With their backgrounds in curating, collecting, and art history, Einstein draws us into the history and traditions of the forms, and Oresman writes as a collector about the fascination of monotype as a magically spontaneous process.”

“A Silk Route Bestiary”

by Valentina DuBasky
Abingdon Square Publishing, forthcoming, 2020 

Mobirise

The Silk Route Bestiary presents a collection of creatures found across the interconnected Silk Routes-- from the far east in Japan to the far west in North Africa and from the northern lands of Siberia to the islands of Southeast Asia, and all the lands in between. The rich and colorful images juxtapose the travels of animals with their human counterparts and include descriptions of the animals, routes and journeys.



Cover image: Gazelle and Tiger, India, 2019, Valentina DuBasky,
Gouache, 8 x 6.5 inches

“24 Horned & Antlered Animals”

by Valentina DuBasky
Abingdon Square Publishing, forthcoming, 2020 

Mobirise

The structure and form of the horns and antlers of animals provide a platform for exploring the variations of the linear and calligraphic qualities of these remarkable creatures. Artist Valentina DuBasky responds to the science of form in nature with a new collection of creatures that celebrates curved, spiral and fluting horns or antlers in monotype and collage.  

Cover image: Stag with Spiral Antlers, 2016, Valentina DuBasky,
Mixed media on paper, 10 x 8 inches

“Twenty-two Horses, Stags and Bison”

by Valentina DuBasky
Abingdon Square Publishing, 2017 

Mobirise

Twenty-two Horses, Stags and Bison presents a collection of DuBasky’s totemic creatures that are pitched on the edge of abstraction. The paintings can be read as animal, abstraction, landscape or still life, and at the same time, explore the correspondences between ancient art and the contemporary imagination. 

Cover image: Winged Horse with Figures, 2016, Valentina DuBasky,
Acrylic and marble dust on plaster and paper, 30.5 x 33 inches

“The Cambodian Journal: Drawings 1994-1998”

by Valentina DuBasky
Abingdon Square Publishing, forthcoming, 2009 

Mobirise

The Cambodian Journal traces a woman artist’s journey of discovery in Cambodia among survivors of the Khmer Rouge genocide that claimed over a million and a half lives. The drawings were created between 1994, after the cease fire ended the long civil war and established a fragile democracy and the first Cambodian National Elections of 1998. As the Cambodian people rebuild their shattered communities, the artist discovers the resiliency of the human spirit under extraordinary circumstances. 

Cover image: Tragic Harvest: Landmines in his Field, 1996,
Valentina DuBasky,Ink on paper, 8 x 7.25 inches

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